The Garage Ensemble seeks play submissions for its 2008 season.
Submissions should be unpublished, either full length (60-90min) or
10-minute
scripts.
Please send submissions to thegarageensemble@gmail.com
The Garage Ensemble is a group of young theatre artists in New York
City, the
core of which met as members of the lab company at the Hangar Theatre
in
Ithaca, NY.
The Garage serves in part as homage to our roots at the Hangar, but
more
importantly as a symbol for the work that we aspire to create: work
that
demonstrates all the grit, determination, and creativity of a crew
constructing a
well-crafted story, while also reflecting the vitality and openness
associated with
such a humble space. With that goal in mind, the Garage is committed to
the
work of playwrights, young and old, established and emerging, who
display the
courage to tell their story by breaking through traditional
conceptions. We
strive to combine honesty to the plays and their characters with our
aesthetic as
young artists to tell the stories of those playwrights in unique ways.
And,
finally, we dare to confront material that scares us, as individuals
and as a
society, with the confidence that it is in that very challenge we can
empathize
with the fears and challenges of the characters whose stories we tell.
Submissions should be unpublished, either full length (60-90min) or
10-minute
scripts.
Please send submissions to thegarageensemble@gmail.com
The Garage Ensemble is a group of young theatre artists in New York
City, the
core of which met as members of the lab company at the Hangar Theatre
in
Ithaca, NY.
The Garage serves in part as homage to our roots at the Hangar, but
more
importantly as a symbol for the work that we aspire to create: work
that
demonstrates all the grit, determination, and creativity of a crew
constructing a
well-crafted story, while also reflecting the vitality and openness
associated with
such a humble space. With that goal in mind, the Garage is committed to
the
work of playwrights, young and old, established and emerging, who
display the
courage to tell their story by breaking through traditional
conceptions. We
strive to combine honesty to the plays and their characters with our
aesthetic as
young artists to tell the stories of those playwrights in unique ways.
And,
finally, we dare to confront material that scares us, as individuals
and as a
society, with the confidence that it is in that very challenge we can
empathize
with the fears and challenges of the characters whose stories we tell.
